Learning Contracts

     Some of the top questions raised when we think about differentiating in our classrooms are: “How do we meet with a small group of students while the rest of the class does…what…exactly?” “What do we do when some students inevitably finish a task before others?” There are lots of ways to answer these questions (shameless plug: you can hear about them all in my upcoming summer workshop on differentiated instruction!). This post is about one particular strategy I just discovered, thanks to Carol Ann Tomlinson and Caroline Cunningham Eidson, authors of Differentiation in Practice: A Resource Guide for Differentiating Curriculum (2013).

     Tomlinson and Eidson suggest the use of learning contracts (don’t you just love that phrasing?). I’ll go ahead and give you their exact definition:

“A learning contract is an agreement between a student and a teacher      regarding a task or project that a student will work on independently and with some freedom. Learning contracts often provide some degree of choice regarding specific tasks to be completed and the order in which they will be completed. This element of choice can help teachers address differences in students’ interests and learning profiles. Effective contracts focus on key understandings and skills that a student is to work with and provide information about the criteria for quality work. Learning contracts require teachers to match learning objectives with contract options so that students must practice and apply important skills” (p. 187)

What’s great about learning contracts is that, when introduced (as is recommended) at the start of a unit, they provide students with meaningful tasks to accomplish throughout the unit. These tasks are assignments students can work on when they finish other tasks early one day, or when you need to meet with a small group or one half of the class. The teacher and the student agree on the number of tasks the student will complete from the learning contract options (this works best when there’s lots to choose from, and lots of variety) and when the student will be done with each task. Students should fill out and sign a contract that includes items such as: the tasks they agree to work on, the dates due for each, and agreements to work on these selected tasks at various times during class without distracting peers. What I love about Tomlinson and Eidson’s definition is that it separates learning contract tasks from “busy work” by insisting that these tasks include “criteria for quality work” and that they “match [the] learning objectives” of the unit. And don’t even get me started on the element of student choice and student ownership implicit in learning contracts – how great is that? 

     Below, I’ve listed some ideas for learning contract tasks. Learning contracts are great for including assignments based on multiple intelligences and learning styles, so you’ll notice this reflected in this list. ***Please note: learning contracts should list specific criteria for each option presented. I have not included criteria in the list below as I simply want to share what types of tasks may be found on a learning contract. ***A second note: I’ve included examples from several content areas and from several grade levels, K-12. ***Ok, just one more note: Some teachers prefer to further differentiate learning contracts by typing up two different lists of tasks – one geared towards the advanced learners and one geared towards those who are novice learners of the particular subject.

     So, without further adieu, here are some ideas (many of which can be found in the 2003 Tomlinson & Eidson text):

·      Make an ABC list (or book) of plants. Use books in the classroom to find the names of plants that begin with each letter of the alphabet.

·      Draw and label the plants we cannot eat. Why can’t we eat these?

·      Measure the plants in the classroom, and make a graph showing their heights. Which is the tallest plant? Which is the shortest one? Do you think that will change? Why?

·      Write a song about plants, what you like about them, and why they are important.

·      Using information from resources provided in the classroom, as well as various travel brochures provided, create a travel brochure about our community. Your brochure should make people outside of our community want to come visit it…

·      RAFT writing tasks -- the possibilities for these are almost endless! (See my previous post about RAFTS: An Alternative to White Water RAFTing.) Seriously, I can't recommend these writing opportunities enough!

·      Invent a game to help teach children about lines, angles, polygons, circles, polyhedrons, congruence, and symmetry. Write a manual for parents and teachers that explains the rules and procedures for playing the game and discusses the benefits of playing the game…

·      Research geodesic dome buildings. Draw a picture or build a model of a dome building and write three or four paragraphs discussing dome buildings, answering the following questions…

·      Using pictures from magazines and newspapers, find and label objects that represent the different types of lines, angles, and shapes that we’ve studied…

·      Create a Private Investigator Poster about Macbeth. Draw his profile, police line-up style, and label him with “Checks Out” traits (his good points) and “Warning Signs” traits (his weaknesses).

·      Create a metaphor for Macbeth: Macbeth is a __________ in these three ways…Give three text citations to back up your argument.

·      Discuss what you see as the most compelling or significant scene in Act I. Cite specific textual examples that support your claim (using diction, figurative language, motifs, scansion).

·      Translate a Shakespearean scene or soliloquy into contemporary English.

·      Draw a concept map showing the major hurdles le petit prince had to overcome in the novel and the major hurdles you (or adolescents in general) have to overcome during this time of your life.

·      Listen to excerpts from Gustave Holst’s The Planets. Create and record brief soundscapes of what at least three of the planets that le petit prince visited might sound like. Write a CD liner-note explanation of your soundscapes to make the link between the music and the stereotype represented by the planet’s inhabitant(s).

·      Design a map that illustrates le petit prince’s journey (physical, emotional, or spiritual) throughout the book. Annotate the map so we can see the importance of the “places” you chose to include.

·      Find and illustrate a set of quotes by le petit prince. Annotate the quotations, explaining their significance to the themes of the novel.

·      Design a cartoon that illustrates your journey as a water droplet. Include an appropriate caption(s).

·      Create a fictional story about the journey of a water droplet.

·      Draw an accurate version of the water cycle that includes all steps. Be sure to show the processes that get a water droplet from one step to another.

·      Create a local version of the water cycle. Be sure to include the names of local rivers, bays, oceans, mountains, and so on.

    

     Cool, right? I’ll wrap up with just one last shameless plug: if you like the above ideas, and want more, more, more (and if you teach in the same district as me!), then please sign up for the summer workshop I’m offering: A Practical Approach to Differentiation in the Classroom. Tell your friends!